The Greatest Literary Works

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Ulysses on Top Among 100 Best Novels

Written by eastern writer on Friday, April 08, 2011

Ulysses," that sprawling, difficult, but uniquely original masterpiece by James Joyce, has been voted the finest English-language novel published this century by a jury of scholars and writers.

The book -- in which an immensely long account of a single day in the lives of a group of Dubliners becomes a metaphor for the human condition and the author experiments with language almost to the point of unintelligibility -- heads the list of 100 novels drawn up by the editorial board of Modern Library, which has been publishing classic English-language literature at affordable prices since 1917 and is now a division of Random House.

The list is to be released on Friday at a workshop for young publishers known as the Radcliffe Publishing Course at Radcliffe College of Harvard University.

The board members are Christopher Cerf, Gore Vidal, Daniel J. Boorstin, Shelby Foote, Vartan Gregorian, A. S. Byatt, Edmund Morris, John Richardson, Arthur M. Schlesinger Jr. and William Styron. "Ulysses" was banned in the United States as obscene from 1920 to 1933, when the ban was lifted by a Federal judge, John M. Woolsey, who called the book "a sincere and serious attempt to devise a new literary method for the observation and description of mankind."

"Ulysses" is followed in descending order by "The Great Gatsby," F. Scott Fitzgerald's magical tale of romance, mystery and violence among rich Long Island socialites in the 1920's; another work by Joyce, "A Portrait of the Artist as a Young Man," his autobiographical account of a young man's intellectual awakening"; "Lolita," Vladimir Nabokov's tale of the aging Humbert Humbert's doomed passion for the nymphet Dolores Haze, and "Brave New World," Aldous Huxley's satirical horror tale of a civilization where humans are literally made to order.

These five novels originally tied for first place, with each winning the support of 9 of the editorial board's 10 members. In a second separate vote, the panel then placed them in their final order.

Executives at Random House said they hoped that as the century drew to a close their list would encourage public debate about the greatest works of fiction of the last hundred years, thus both increasing awareness of the Modern Library and stimulating sales of novels the group publishes.

"It's a way to bring the Modern Library to public attention," Random House's president and editor in chief, Ann Godoff, said in an interview. "We want to grow the Modern Library and its stable of classics"

Random House was recently bought by the German Bertelsmann group, already the owners of the American publishing house of Bantam Doubleday Bell, and which then became the largest commercial book publisher in the world. Executives say the Bertelsmann group currently publishes 59 of the 100 novels on the Modern Library list. And of the Modern Library board members, all but Professor Gregorian are published by Random House or the Bertelsmann group.

Modern Library plans to reissue at least 10 novels on the list in paperback over the next eight months. These will include Samuel Butler's autobiographical attack on Victorian morality, "The Way of All Flesh" (No. 12); Joseph Conrad's tale of intrigue "The Secret Agent" (No. 46); "Zuleika Dobson," Max Beerbohm's comic tale of a femme fatale at Oxford University (No. 59); "The Call of the Wild" by Jack London (No. 88), and "The Magnificent Ambersons" by Booth Tarkington (No. 100).

Random House, which in 1934 published the first legal American edition of "Ulysses," will place promotional material in bookstores that are offering novels from the Modern Library's list. And the company is inviting readers to send in on-line suggestions for an alternative list of great English-language fiction of this century to www.randomhouse.com/modern library.

In the next few months Random House also plans to expand the size of the Modern Library's editorial board.

It will then invite the expanded board to make a list of the 100 best nonfiction books published in this century.

"That is something that has never been done before," Ms. Godoff noted.

The Modern Library's best-novels list includes 58 books by an eclectic collection of American writers: William Faulkner's "Sound and the Fury" (No. 6); Ernest Hemingway's "Sun Also Rises" (No. 45); the "U.S.A." trilogy by John Dos Passos (No. 23) as well as three works by Henry James -- "The Wings of the Dove (No. 26)," "The Ambassadors" (No. 27) and "The Golden Bowl" (No. 32) -- although James lived much of his life in England and eventually became a British citizen.

But it also includes Joseph Heller's "Catch-22"(No. 7), Henry Miller's "Tropic of Cancer"(No. 50) and Jack Kerouac's "On the Road"(No. 55), as well as Dashiell Hammett's "Maltese Falcon" (No. 56) and James M. Cain's "Postman Always Rings Twice" (No. 98).

The 39 works by British writers include D. H. Lawrence's "Sons and Lovers" (No. 9), "The Rainbow" (No. 48) and "Women in Love" (No. 49); E. M. Forster's "Passage to India"(No. 25) and "Howards End" (No. 38); George Orwell's "1984" (No. 13) and "Animal Farm " (No. 31) as well as novels by Evelyn Waugh, Graham Greene and Anthony Powell.

In addition to his two works in the top five, Joyce's third well-known book, "Finnegans Wake," also makes the list, in 77th place.

But apart from Joyce, the list contains no other works by English-speaking writers from outside the United States and Britain, although India, Australia and South Africa all have flourishing literary traditions and have produced many distinguished authors.

In addition, only eight women make the list. They are led by Virginia Woolf whose "To the Lighthouse" is in 15th place, followed in 17th by Carson McCullers's "Heart Is a Lonely Hunter." Other women represented are Edith Wharton (twice), Willa Cather, Muriel Spark, Elizabeth Bowen, Jean Rhys and Iris Murdoch.

Several board members criticized the absence of writers from the rest of the English-speaking world as well as the small number of female authors selected.

Calling the final list "typically American," Ms. Byatt regretted that the Australian Nobel Prize-winning novelist, Patrick White, had not been chosen, and said there was "definitely room for more women." Like the American author William Styron, she regretted the absence of the South African writer Doris Lessing and the American novelist Mary McCarthy. Mr. Styron said that he was surprised, too, by the omission of Patrick White and that he wished the list had included the American writer Eudora Welty.

But Professor Gregorian, who heads the Carnegie Corporation, said he and several other judges had felt they should choose only books that had been in print a long time, thus showing that they "have really stood the test of time."

All the judges who could be reached for comment said they believed "Ulysses" deserved first place and considered "The Great Gatsby" a worthy second. Ms. Byatt called "Ulysses" "the first truly modern novel, a real break with the past, like Picasso." Mr. Styron said it was "the watershed novel of the 20th century from which all modernism flows."

Gore Vidal, the American novelist, called the top five "about right." But several of his colleagues on the board were unhappy with the novels in third, fourth and fifth places.

Edmund Morris, an American historian, said he was "pleased" that "Ulysses" and "Lolita" had made the top five. But he argued that "A Portrait of the Artist as a Young Man" did not deserve so high a slot because it is really "a sketch for 'Ulysses.' " He also dismissed "Brave New World" as "not Huxley's greatest."

Shelby Foote, also a historian, said that he accepted "Ulysses" and "The Great Gatsby" but that he had "trouble with the others" in the top five slots. In his view, Lawrence's "Rainbow" and Faulkner's "As I lay Dying" would have been better choices.

The historian Arthur M. Schlesinger Jr. called the first three choices "sensible" but said he would have preferred to see Henry James's "Wings of the Dove" and E. M. Foster's "Passage to India" in fourth and fifth places. He also thought Evelyn Waugh's World War II trilogy, "Sword of Honor," would have been a better choice than "Brideshead Revisited" (No. 80).

Other editorial board members who participated in the voting but could not be reached were Mr. Cerf, son of Bennett Cerf, who bought the Modern Library and founded Random House, and Mr. Boorstin, a former Librarian of the Library of Congress.

In a recent interview, Harold M. Evans, currently editorial director of U.S. News and World Report, said he had come up with the plan to compile a list of the best 100 novels for the millennium when he was president of Random House. But it was not completed until after he had handed over the top job to Ms. Godoff last November.

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By PAUL LEWIS, published at NYTimes.

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Modern Library's 100 Best English Language Novels

Written by son of rambow on Tuesday, March 29, 2011

Modern Library's 100 Best Novels is a list of the best English-language novels of the 20th century as selected by the Modern Library. It is worth noting that Modern Library and Random House USA, the parent company, are both US companies. Critics have argued that this is responsible for a very American view of the greatest novels. Most British, Canadian and Australian academics, and even Random House UK, have differing lists of 'greatest novels'.

In the spring of 1998, the Modern Library polled its editorial board to find the best 100 novels of the 20th century. The board consisted of Daniel J. Boorstin, A. S. Byatt, Christopher Cerf, Shelby Foote, Vartan Gregorian, Edmund Morris, John Richardson, Arthur Schlesinger Jr., William Styron and Gore Vidal.

Ulysses by James Joyce topped the list, followed by The Great Gatsby and A Portrait of the Artist as a Young Man. The most recent novel in the list is Ironweed (1983) by William Kennedy, and the oldest are Sister Carrie (1900) by Theodore Dreiser and Lord Jim (1900) by Joseph Conrad. Joseph Conrad has four novels on the list, the most of any author. William Faulkner, E. M. Forster, Henry James, James Joyce, D. H. Lawrence, and Evelyn Waugh each have three. There are ten other authors with two. Only eight of the novels were written by women, with the top three being Virginia Woolf's To the Lighthouse at number 15, Edith Wharton's The Age of Innocence at 58 and Willa Cather's Death Comes For the Archbishop at 61.

A Reader's List 100 Best Novels was published separately by Modern Library in 1999. With over 200,000 votes in total, readers selected Atlas Shrugged and The Fountainhead by Ayn Rand as the two best novels; her other two fictional books—Anthem and We the Living—appear as #7 and #8, respectively. In contrast to the Modern Library List, the Readers List placed Ulysses as #11 and The Great Gatsby as #13. The most recent novel in the Reader's list is Someplace to Be Flying (1998) by Charles de Lint, and the oldest is Sister Carrie (1900) by Theodore Dreiser. Charles de Lint appears on the list 8 times and Robert A. Heinlein appears on the list 7 times.

Criticism of the list includes that it did not include enough novels by women, and not enough novels from outside North America and Europe. For example in the UK many of the novels on the list are regarded as given undue credit. In addition, some contend it was a "sales gimmick", since most of the titles in the list are also sold by Modern Library.


The Editor Choice:
1. ULYSSES by James Joyce
2. THE GREAT GATSBY by F. Scott Fitzgerald
3. A PORTRAIT OF THE ARTIST AS A YOUNG MAN by James Joyce
4. LOLITA by Vladimir Nabokov
5. BRAVE NEW WORLD by Aldous Huxley
6. THE SOUND AND THE FURY by William Faulkner
7. CATCH-22 by Joseph Heller
8. DARKNESS AT NOON by Arthur Koestler
9. SONS AND LOVERS by D.H. Lawrence
10. THE GRAPES OF WRATH by John Steinbeck
11. UNDER THE VOLCANO by Malcolm Lowry
12. THE WAY OF ALL FLESH by Samuel Butler
13. 1984 by George Orwell
14. I, CLAUDIUS by Robert Graves
15. TO THE LIGHTHOUSE by Virginia Woolf
16. AN AMERICAN TRAGEDY by Theodore Dreiser
17. THE HEART IS A LONELY HUNTER by Carson McCullers
18. SLAUGHTERHOUSE-FIVE by Kurt Vonnegut
19. INVISIBLE MAN by Ralph Ellison
20. NATIVE SON by Richard Wright
21. HENDERSON THE RAIN KING by Saul Bellow
22. APPOINTMENT IN SAMARRA by John O’Hara
23. U.S.A.(trilogy) by John Dos Passos
24. WINESBURG, OHIO by Sherwood Anderson
25. A PASSAGE TO INDIA by E.M. Forster
26. THE WINGS OF THE DOVE by Henry James
27. THE AMBASSADORS by Henry James
28. TENDER IS THE NIGHT by F. Scott Fitzgerald
29. THE STUDS LONIGAN TRILOGY by James T. Farrell
30. THE GOOD SOLDIER by Ford Madox Ford
31. ANIMAL FARM by George Orwell
32. THE GOLDEN BOWL by Henry James
33. SISTER CARRIE by Theodore Dreiser
34. A HANDFUL OF DUST by Evelyn Waugh
35. AS I LAY DYING by William Faulkner
36. ALL THE KING’S MEN by Robert Penn Warren
37. THE BRIDGE OF SAN LUIS REY by Thornton Wilder
38. HOWARDS END by E.M. Forster
39. GO TELL IT ON THE MOUNTAIN by James Baldwin
40. THE HEART OF THE MATTER by Graham Greene
41. LORD OF THE FLIES by William Golding
42. DELIVERANCE by James Dickey
43. A DANCE TO THE MUSIC OF TIME (series) by Anthony Powell
44. POINT COUNTER POINT by Aldous Huxley
45. THE SUN ALSO RISES by Ernest Hemingway
46. THE SECRET AGENT by Joseph Conrad
47. NOSTROMO by Joseph Conrad
48. THE RAINBOW by D.H. Lawrence
49. WOMEN IN LOVE by D.H. Lawrence
50. TROPIC OF CANCER by Henry Miller
51. THE NAKED AND THE DEAD by Norman Mailer
52. PORTNOY’S COMPLAINT by Philip Roth
53. PALE FIRE by Vladimir Nabokov
54. LIGHT IN AUGUST by William Faulkner
55. ON THE ROAD by Jack Kerouac
56. THE MALTESE FALCON by Dashiell Hammett
57. PARADE’S END by Ford Madox Ford
58. THE AGE OF INNOCENCE by Edith Wharton
59. ZULEIKA DOBSON by Max Beerbohm
60. THE MOVIEGOER by Walker Percy
61. DEATH COMES FOR THE ARCHBISHOP by Willa Cather
62. FROM HERE TO ETERNITY by James Jones
63. THE WAPSHOT CHRONICLES by John Cheever
64. THE CATCHER IN THE RYE by J.D. Salinger
65. A CLOCKWORK ORANGE by Anthony Burgess
66. OF HUMAN BONDAGE by W. Somerset Maugham
67. HEART OF DARKNESS by Joseph Conrad
68. MAIN STREET by Sinclair Lewis
69. THE HOUSE OF MIRTH by Edith Wharton
70. THE ALEXANDRIA QUARTET by Lawrence Durell
71. A HIGH WIND IN JAMAICA by Richard Hughes
72. A HOUSE FOR MR BISWAS by V.S. Naipaul
73. THE DAY OF THE LOCUST by Nathanael West
74. A FAREWELL TO ARMS by Ernest Hemingway
75. SCOOP by Evelyn Waugh
76. THE PRIME OF MISS JEAN BRODIE by Muriel Spark
77. FINNEGANS WAKE by James Joyce
78. KIM by Rudyard Kipling
79. A ROOM WITH A VIEW by E.M. Forster
80. BRIDESHEAD REVISITED by Evelyn Waugh
81. THE ADVENTURES OF AUGIE MARCH by Saul Bellow
82. ANGLE OF REPOSE by Wallace Stegner
83. A BEND IN THE RIVER by V.S. Naipaul
84. THE DEATH OF THE HEART by Elizabeth Bowen
85. LORD JIM by Joseph Conrad
86. RAGTIME by E.L. Doctorow
87. THE OLD WIVES’ TALE by Arnold Bennett
88. THE CALL OF THE WILD by Jack London
89. LOVING by Henry Green
90. MIDNIGHT’S CHILDREN by Salman Rushdie
91. TOBACCO ROAD by Erskine Caldwell
92. IRONWEED by William Kennedy
93. THE MAGUS by John Fowles
94. WIDE SARGASSO SEA by Jean Rhys
95. UNDER THE NET by Iris Murdoch
96. SOPHIE’S CHOICE by William Styron
97. THE SHELTERING SKY by Paul Bowles
98. THE POSTMAN ALWAYS RINGS TWICE by James M. Cain
99. THE GINGER MAN by J.P. Donleavy
100. THE MAGNIFICENT AMBERSONS by Booth Tarkington


Reader Choices:

1. ATLAS SHRUGGED by Ayn Rand
2. THE FOUNTAINHEAD by Ayn Rand
3. BATTLEFIELD EARTH by L. Ron Hubbard
4. THE LORD OF THE RINGS by J.R.R. Tolkien
5. TO KILL A MOCKINGBIRD by Harper Lee
6. 1984 by George Orwell
7. ANTHEM by Ayn Rand
8. WE THE LIVING by Ayn Rand
9. MISSION EARTH by L. Ron Hubbard
10. FEAR by L. Ron Hubbard
11. ULYSSES by James Joyce
12. CATCH-22 by Joseph Heller
13. THE GREAT GATSBY by F. Scott Fitzgerald
14. DUNE by Frank Herbert
15. THE MOON IS A HARSH MISTRESS by Robert Heinlein
16. STRANGER IN A STRANGE LAND by Robert Heinlein
17. A TOWN LIKE ALICE by Nevil Shute
18. BRAVE NEW WORLD by Aldous Huxley
19. THE CATCHER IN THE RYE by J.D. Salinger
20. ANIMAL FARM by George Orwell
21. GRAVITY’S RAINBOW by Thomas Pynchon
22. THE GRAPES OF WRATH by John Steinbeck
23. SLAUGHTERHOUSE FIVE by Kurt Vonnegut
24. GONE WITH THE WIND by Margaret Mitchell
25. LORD OF THE FLIES by William Golding
26. SHANE by Jack Schaefer
27. TRUSTEE FROM THE TOOLROOM by Nevil Shute
28. A PRAYER FOR OWEN MEANY by John Irving
29. THE STAND by Stephen King
30. THE FRENCH LIEUTENANT’S WOMAN by John Fowles
31. BELOVED by Toni Morrison
32. THE WORM OUROBOROS by E.R. Eddison
33. THE SOUND AND THE FURY by William Faulkner
34. LOLITA by Vladimir Nabokov
35. MOONHEART by Charles de Lint
36. ABSALOM, ABSALOM! by William Faulkner
37. OF HUMAN BONDAGE by W. Somerset Maugham
38. WISE BLOOD by Flannery O’Connor
39. UNDER THE VOLCANO by Malcolm Lowry
40. FIFTH BUSINESS by Robertson Davies
41. SOMEPLACE TO BE FLYING by Charles de Lint
42. ON THE ROAD by Jack Kerouac
43. HEART OF DARKNESS by Joseph Conrad
44. YARROW by Charles de Lint
45. AT THE MOUNTAINS OF MADNESS by H.P. Lovecraft
46. ONE LONELY NIGHT by Mickey Spillane
47. MEMORY AND DREAM by Charles de Lint
48. TO THE LIGHTHOUSE by Virginia Woolf
49. THE MOVIEGOER by Walker Percy
50. TRADER by Charles de Lint
51. THE HITCHHIKER’S GUIDE TO THE GALAXY by Douglas Adams
52. THE HEART IS A LONELY HUNTER by Carson McCullers
53. THE HANDMAID’S TALE by Margaret Atwood
54. BLOOD MERIDIAN by Cormac McCarthy
55. A CLOCKWORK ORANGE by Anthony Burgess
56. ON THE BEACH by Nevil Shute
57. A PORTRAIT OF THE ARTIST AS A YOUNG MAN by James Joyce
58. GREENMANTLE by Charles de Lint
59. ENDER’S GAME by Orson Scott Card
60. THE LITTLE COUNTRY by Charles de Lint
61. THE RECOGNITIONS by William Gaddis
62. STARSHIP TROOPERS by Robert Heinlein
63. THE SUN ALSO RISES by Ernest Hemingway
64. THE WORLD ACCORDING TO GARP by John Irving
65. SOMETHING WICKED THIS WAY COMES by Ray Bradbury
66. THE HAUNTING OF HILL HOUSE by Shirley Jackson
67. AS I LAY DYING by William Faulkner
68. TROPIC OF CANCER by Henry Miller
69. INVISIBLE MAN by Ralph Ellison
70. THE WOOD WIFE by Terri Windling
71. THE MAGUS by John Fowles
72. THE DOOR INTO SUMMER by Robert Heinlein
73. ZEN AND THE ART OF MOTORCYCLE MAINTENANCE by Robert Pirsig
74. I, CLAUDIUS by Robert Graves
75. THE CALL OF THE WILD by Jack London
76. AT SWIM-TWO-BIRDS by Flann O’Brien
77. FARENHEIT 451 by Ray Bradbury
78. ARROWSMITH by Sinclair Lewis
79. WATERSHIP DOWN by Richard Adams
80. NAKED LUNCH by William S. Burroughs
81. THE HUNT FOR RED OCTOBER by Tom Clancy
82. GUILTY PLEASURES by Laurell K. Hamilton
83. THE PUPPET MASTERS by Robert Heinlein
84. IT by Stephen King
85. V. by Thomas Pynchon
86. DOUBLE STAR by Robert Heinlein
87. CITIZEN OF THE GALAXY by Robert Heinlein
88. BRIDESHEAD REVISITED by Evelyn Waugh
89. LIGHT IN AUGUST by William Faulkner
90. ONE FLEW OVER THE CUCKOO’S NEST by Ken Kesey
91. A FAREWELL TO ARMS by Ernest Hemingway
92. THE SHELTERING SKY by Paul Bowles
93. SOMETIMES A GREAT NOTION by Ken Kesey
94. MY ANTONIA by Willa Cather
95. MULENGRO by Charles de Lint
96. SUTTREE by Cormac McCarthy
97. MYTHAGO WOOD by Robert Holdstock
98. ILLUSIONS by Richard Bach
99. THE CUNNING MAN by Robertson Davies
100. THE SATANIC VERSES by Salman Rushdie

source: http://www.modernlibrary.com/top-100/100-best-novels/

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Greatest Literary Works: 10 Marterpieces of Christian Fiction

Written by son of rambow on Monday, March 28, 2011

Christianity was the founding religion of both the Western and Eastern empires and, as is to be expected, enormous amounts of literature has been produced based on the tenets and ideals of Christianity. This list looks at ten of the greatest masterpieces in writing which come from a Christian perspective.

#10
A Wrinkle in Time
Madeleine L’Engle (1962)
This book makes the list primarily for mixing science and Christianity in a favorable way. The two subjects are often seen as being at odds with each other, but in L’Engle’s book, the protagonist, Meg Murry, and her scientist family, all very intelligent, discover a way to fold space-time and travel anywhere in the Universe, instantly. They go to the planet Uriel, which is like Heaven, where everything is good and winged centaurs sing praises. They then learn that the Universe is being attacked by a monster called the Black Thing. The Black Thing captured Meg’s father when he was working on faster-than-light travel, and took him to the planet Camazotz, where everything is controlled by a disembodied brain called IT. IT demands absolute conformity, to the point that all houses and towns and cities look precisely the same. Camazotz has been enveloped by the Black Thing, of which IT is the ruler.

Throughout the book, Meg and family discover many fascinating things, including three immortal women named Mrs. Which, Mrs. Whatsit, and Mrs. Who, each of whom is very unique. Mrs. Who speaks several languages, and frequently quotes Shakespeare and the Bible. The protagonists finally wind up at Camazotz, and her brother is kidnapped by IT. The rest of them escape, but after learning how to defeat IT, Meg goes back to rescue her brother. IT cannot tolerate the emotion known as “love.” They return to Earth much the wiser about how to live decently and treat others well.


#9Piers Plowman
William Langland (c. 1370)

One of the more explicit allegories, with every character named for the quality or emotion he or she displays. In Malvern Hills, Worchestershire, a man named Will (free will) dreams of a tower on a hill, and a fortress in a valley (Heaven and Hell), and a “fair field full of folk,” between them (mankind). He sets out on a journey to attain the tower. Piers, a plowman, appears and offers to guide Will to the tower. On the way, Piers speaks to him of Truth, while Will searches for anyone who might enter the tower with him, namely Dowel (Do well), Dobet (Do Better) and Dobest (Do Best). Will is searching for how a Christian should live, according to Catholicism.


#8 The Canterbury Tales
Geoffrey Chaucer (c. 1390)


It is ranked so low on this list because, although it deals with Christianity in post-Black Death England, it is more a critique of English society at that time. It’s reliance on Christian philosophy and morality, however, requires that it be given a spot here. Various characters meet up on a road as they walk to Canterbury Cathedral to see the shrine of Thomas Becket. There is a knight, a miller, a cook, a friar, nuns, etc. They decide to have a story contest to pass the time, and the stories they tell all deal with various principles and ideas of the Catholic Church in England at that time.

Chaucer wrote this work during the Great Schism, as it is known now. The Catholic Church split right down the middle in 1378, and this lasted until 1417, after his death. One pope said the throne should be in Rome. Another claimed himself as pope and said it should be in Avignon, France. It was finally resolved with a Council and a few excommunications, and the election of a new pope in Rome. The tales show a diversity of theological understanding, various disagreements, and yet, the characters remain together in their journey to Canterbury, which Chaucer uses to symbolize Christianity holding all its followers together, whether they agree or not on any issue.

# 7 Psychomachia
Aurelius Prudentius Clemens (c. 400)


“Psychomachia” means “Battle for the Soul.” It ranks so high, despite not being well known, for being one of the very first, if not the first, Christian allegories. It is an epic poem of about 1,000 lines, not very long, which tells the story, in the style of Virgil’s Aeneid, of a titanic and desperate battle between virtues and sins, inside a nameless character, intended as the reader. All the famous deadly sins and cardinal virtues are present, though not precisely listed in their modern forms. Pagan idolatry initiates the conflict, bringing Pride into the fray, which is defeated by Selflessness, and so on. The final fight is comprised of the double threat of Hatred and Wrath versus Love, which finally defeats all sin in the name of Christ Jesus. 1,000 Christian martyrs then praise the Faith with a Hallelujah.


# 6 The Lion, the Witch, and the Wardrobe
C. S. Lewis (1950)

His entire Narnia series of children’s books teem with Christian themes, but the first that he wrote, and most famous, is the most explicit, being a loose retelling of the life of Jesus. “Aslan” is Turkish for “Lion.” And for the child in all of us, Lewis includes talking animals, lots of magic, fantastic creatures like centaurs and unicorns, naiads and dryads, which are like tree spirits (similar to Tolkien’s ents). Narnia is under the spell of Jadis, the White Witch, who has set herself up as the Queen of Narnia, and makes it eternally frozen and snowing, but never Christmas.

Four children from Earth find their way into Narnia, and discover that their arrival is predestined, and heralds the long-awaited coming of Aslan, who will right all the wrongs. Along the way he teaches them what is virtuous, what is sinful, and then deals with the error made by one of them, Edmund. The Witch demands the boy die for the crime of betraying his own siblings. Aslan offers himself in the boy’s place, and the Witch thinks that this Deep Magic will give her control over Narnia once and for all. Boy, is she wrong.




# 5 A Christmas Carol
Charles Dickens (1843)


Many critics believe that Christmas is the most popular holiday around the world at present, not because of the Nativity story, but because of its revival in Dickens’s mid-Victorian novella about charity for all, regardless of religion, social standing, or anything else. In secular terms, that is what Christmas should be about, he argues in this book: giving to others without thought of recompense; the one time of the year when all differences should be put aside for a brotherhood of man.

Ebenezer Scrooge is an odious miser, a money lender, who refuses to give money to anyone for nothing. He lends to those he thinks can pay him back, but he charges quite a lot of interest, and is quick to charge more when payment is late. He does not care how poor or unable anyone is to pay him back, or how desperately they need food and shelter. But that all changes on Christmas Eve, when he is visited by the ghost of his old partner, Marley, who warns him that he is in danger of Hell. Then the ghosts of Christmas Past, Present, and Yet to Come, visit him and show him how horrible a man he is. He changes for the better and everyone lives happily ever after, beginning on Christmas Day.

Many of the story’s elements have entered the vernacular around the world. Misers are now nicknamed Scrooges, and people much more frequently say, “God bless us, everyone.”

But is it explicitly Christian? Yes, it must be considered so, because even in secular terms, the root of the word Christmas cannot be ignored, and Dickens chose this holiday over all the others. Thus, the principles of charity for all and generosity and love are evoked in Christ’s name.

# 4 The Pilgrim’s Progress
John Bunyan (1678)


The most obviously allegorical of all Christian allegories. The protagonist is named Christian, who reads the Bible and then is burdened by a heavy packpack, which holds the knowledge of his sin. He is met in the fields one day by a man named Evangelist, who directs him to the Wicket Gate. Christian immediately leaves his wife, children, and home to seek the Gate and a deliverance from his sin, lest he sink in Tophet (Hell). Tophet is thought to be where, in Jerusalem, the Canaanites sacrificed children to the god Moloch by roasting them to death. Christian is diverted on his journey by Mr. World Wiseman, who tempts him to seek deliverance through the law (earthly law). Christian refuses and reaches the gate, where Good Will instructs him further. He finds the place of deliverance, which is Calvary, where the straps of his backpack snap and he is relieved of his burden. In the 2nd part, Christian’s family finally goes after him and thus finds deliverance from their sins, and reunion with Christian in Paradise. Good Will reveals himself as Jesus.

#3 The Faerie Queene
Edmund Spenser (1590-96)


It is probably the longest single epic poem in English, and Spenser intended it to be twice or four times as long as what he finished. It is 6 Books, each celebrating a particular virtue: holiness, temperance, chastity, friendship, justice, and courtesy. The first book is the most famous, since Spenser wrote in such a laid-back style that it takes him quite a long time to say anything, and most readers quit with the first book. He also invented the Spenserian stanza for the work. In the first book, the protagonist is the Redcrosse Knight, symbolizing King George of England (the red cross was and still is on the English flag).

He rides over the English countryside, getting into adventures, and rescuing Una, a damsel in distress, who symbolizes both Queen Elizabeth I and the Virgin Mary. She travels with a lion (God’s law) and a lamb (God’s love). She recruits him to save her family’s castle from a monstrous dragon (Satan), whom the Redcrosse knight defeats in combat after putting on the armor of God. This duel, near the end of the first book, is one of the most famous events of the poem, and a classic tale of a knight slaying a dragon. The protagonists come across various villains on their journey, such as Duessa, who represents the false Church, Archimago, a sorcerer who represents paganistic heresy, who hates Redcrosse and England, and King Arthur and Merlin.

#2
Paradise Lost
John Milton (1667)


Rather than an allegory, this epic poem is overtly theological, and a masterpiece of explanation as to why God allows people to suffer, how sin began, why Jesus must be the Messiah, etc. Milton enters deep into philosophy many times, especially when God, watching from Heaven, explains that mankind has just committed sin and killed itself by disobeying his law (don’t eat that tree’s fruit). So with Man officially fallen from grace, the Son of God, still in Heaven, having not yet been born mortal on Earth, who has no name, announces to his Father that he will descend into the world of men, become one, and allow himself to be killed to atone for Man’s sin.

Satan, meanwhile, is given one of the most interesting portrayals in literature. He is practically the hero of the poem, from his and his minions’ point of view. They are cast out of Heaven for warring against God. Satan wants to be God, and refuses to quit. Now burning in Hell, he and his minions discuss how to get back at God. Some want more open war. Satan advises against this, and decides on surreptitious treachery: he knows of God’s newest and greatest creation, Man, on Earth, and will travel out of Hell, up to Earth, and corrupt that creation, to make God despair and hate him. How evil!

One of the most fun moments in the poem is a flashback showing the actual war in Heaven. You ask yourself how those already immortal can be killed, but this is not the issue. Satan and his angels fight against Michael and his angels, and whoever is stronger will overpower the other and gain the throne, casting the losers out of Heaven to Hell. Michael and his angels are nearly beaten back to the walls of the Holy City, but are saved at the last moment by the Son of God, who saddles up a chariot of ethereal fire and does what everyone would love to see in a film: Jesus kicking ass. After all, he’s not a tame lion.

#1
La Divina Commedia
Dante Alighieri (1308-21)

The Divine Comedy is the finest work in the Italian language, which is saying a lot. We would be hard-pressed to decide on the greatest work in the English language, or any other language, but Dante has Italian pretty well sewn up. He invented terza rima for the purpose of this epic poem, a rhyme scheme still popular and widespread today. It does a fine job interlocking the 3-line stanzas. The Comedy, as he titled it, doesn’t have one single joke. It’s a comedy in the sense that Dante, the main character, journeys upward from Hell, through Purgatory, to Heaven, and not the other way around. So it has a happy ending and is not a tragedy.

But the most famous Canzon of it, the Inferno, is 34 books of the most awe-inspiringly elaborate, horrifying tortures anyone has devised in fiction. The modern Christian conception of a lake of fire is nowhere to be found. Instead, much more interesting are the punishments Dante devises for the various sinners in response to their particular sins. Hell is in 9 circles, and Dante constructs it as an amalgam of the Ancient Greek and Roman Hells, combined with Christian ideas. Various popes and cardinals are down there, along with all who died before Jesus’s death removed sin from mortal man. The Harrowing of Hell is mentioned near the beginning, after which the Old Testament heroes, such as Noah, Abraham, Moses and King David, are rescued up to Heaven.

The entire poem is a critique of various famous figures from Dante’s time, and antiquity. Some he admired, like Homer, Virgil, Horace, Ovid, and Lucan, are in Limbo. Julius Caesar is there, and Saladin, who was decent and chivalrous. Alexander the Great, however, is eternally boiling in Phlegethon, a river of blood in the 7th Circle. Talk about macabre. And if you’re wondering, yes, lawyers are down there, boiling in a sea of pitch.

For its jaw-dropping brilliance of imagery from page one to page end, and the fact that the reader has been taught quite a few lessons without realizing the work’s didactic nature, Dante must surely secure for his masterpiece the first spot.

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source: http://listverse.com

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10 Great Literary Works at Amazon

Written by son of rambow on Friday, March 18, 2011

Following are list of 10 Great Literary Works at Amazon. This list made by James Nickras. I do not know well how the list come, however this list mostly had represent great literary works, except Homer and Joyce works, this list weird since those great author works absent from his list.

1. Sometimes a Great Notion by Ken Kesey
2. The Stranger by Albert Camus
3. The Unbearable Lightness of Being by Milan Kundera
4. Winesburg, Ohio (Signet classics) by Sherwood Anderson
5. The Castle by Edwin Muir (I think this work by Franz Kafka, while Muir as translator).
6. The Complete Short Stories of Ernest Hemingway: The Finca Vigia Edition by Ernest Hemingway
7. The Complete Works of Shakespeare (4th Edition) by William Shakespeare
8. The Lover by Marguerite Duras
Edward Albee's the Zoo Story and the Sandbox
9. Edward Albee's the Zoo Story and the Sandbox by Edward Albee
How I Learned to Drive
10. How I Learned to Drive by Paula Vogel

source: http://www.amazon.com/10-great-literary-works/lm/JAOH4B0IK75O

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The Guardian: The top 100 books of all time

Written by son of rambow on Thursday, July 22, 2010

Full list of the 100 best works of fiction, alphabetically by author, as determined from a vote by 100 noted writers from 54 countries as released by the Norwegian Book Clubs. Don Quixote was named as the top book in history but otherwise no ranking was provided

Chinua Achebe, Nigeria, (b. 1930), Things Fall Apart
Hans Christian Andersen, Denmark, (1805-1875), Fairy Tales and Stories
Jane Austen, England, (1775-1817), Pride and Prejudice
Honore de Balzac, France, (1799-1850), Old Goriot
Samuel Beckett, Ireland, (1906-1989), Trilogy: Molloy, Malone Dies, The Unnamable
Giovanni Boccaccio, Italy, (1313-1375), Decameron
Jorge Luis Borges, Argentina, (1899-1986), Collected Fictions
Emily Bronte, England, (1818-1848), Wuthering Heights
Albert Camus, France, (1913-1960), The Stranger
Paul Celan, Romania/France, (1920-1970), Poems.
Louis-Ferdinand Celine, France, (1894-1961), Journey to the End of the Night
Miguel de Cervantes Saavedra, Spain, (1547-1616), Don Quixote
Geoffrey Chaucer, England, (1340-1400), Canterbury Tales
Anton P Chekhov, Russia, (1860-1904), Selected Stories
Joseph Conrad, England,(1857-1924), Nostromo
Dante Alighieri, Italy, (1265-1321), The Divine Comedy
Charles Dickens, England, (1812-1870), Great Expectations
Denis Diderot, France, (1713-1784), Jacques the Fatalist and His Master
Alfred Doblin, Germany, (1878-1957), Berlin Alexanderplatz
Fyodor M Dostoyevsky, Russia, (1821-1881), Crime and Punishment; The Idiot; The Possessed; The Brothers Karamazov
George Eliot, England, (1819-1880), Middlemarch
Ralph Ellison, United States, (1914-1994), Invisible Man
Euripides, Greece, (c 480-406 BC), Medea
William Faulkner, United States, (1897-1962), Absalom, Absalom; The Sound and the Fury
Gustave Flaubert, France, (1821-1880), Madame Bovary; A Sentimental Education
Federico Garcia Lorca, Spain, (1898-1936), Gypsy Ballads
Gabriel Garcia Marquez. Colombia, (b. 1928), One Hundred Years of Solitude; Love in the Time of Cholera
Gilgamesh, Mesopotamia (c 1800 BC).
Johann Wolfgang von Goethe, Germany, (1749-1832), Faust
Nikolai Gogol, Russia, (1809-1852), Dead Souls
Gunter Grass, Germany, (b.1927), The Tin Drum
Joao Guimaraes Rosa, Brazil, (1880-1967), The Devil to Pay in the Backlands
Knut Hamsun, Norway, (1859-1952), Hunger.
Ernest Hemingway, United States, (1899-1961), The Old Man and the Sea
Homer, Greece, (c 700 BC), The Iliad and The Odyssey
Henrik Ibsen, Norway (1828-1906), A Doll's House
The Book of Job, Israel. (600-400 BC).
James Joyce, Ireland, (1882-1941), Ulysses
Franz Kafka, Bohemia, (1883-1924), The Complete Stories; The Trial; The Castle Bohemia
Kalidasa, India, (c. 400), The Recognition of Sakuntala
Yasunari Kawabata, Japan, (1899-1972), The Sound of the Mountain
Nikos Kazantzakis, Greece, (1883-1957), Zorba the Greek
DH Lawrence, England, (1885-1930), Sons and Lovers
Halldor K Laxness, Iceland, (1902-1998), Independent People
Giacomo Leopardi, Italy, (1798-1837), Complete Poems
Doris Lessing, England, (b.1919), The Golden Notebook
Astrid Lindgren, Sweden, (1907-2002), Pippi Longstocking
Lu Xun, China, (1881-1936), Diary of a Madman and Other Stories
Mahabharata, India, (c 500 BC).
Naguib Mahfouz, Egypt, (b. 1911), Children of Gebelawi
Thomas Mann, Germany, (1875-1955), Buddenbrook; The Magic Mountain
Herman Melville, United States, (1819-1891), Moby Dick
Michel de Montaigne, France, (1533-1592), Essays.
Elsa Morante, Italy, (1918-1985), History
Toni Morrison, United States, (b. 1931), Beloved
Shikibu Murasaki, Japan, (N/A), The Tale of Genji Genji
Robert Musil, Austria, (1880-1942), The Man Without Qualities
Vladimir Nabokov, Russia/United States, (1899-1977), Lolita
Njaals Saga, Iceland, (c 1300).
George Orwell, England, (1903-1950), 1984
Ovid, Italy, (c 43 BC), Metamorphoses
Fernando Pessoa, Portugal, (1888-1935), The Book of Disquiet
Edgar Allan Poe, United States, (1809-1849), The Complete Tales
Marcel Proust, France, (1871-1922), Remembrance of Things Past
Francois Rabelais, France, (1495-1553), Gargantua and Pantagruel
Juan Rulfo, Mexico, (1918-1986), Pedro Paramo
Jalal ad-din Rumi, Afghanistan, (1207-1273), Mathnawi
Salman Rushdie, India/Britain, (b. 1947), Midnight's Children
Sheikh Musharrif ud-din Sadi, Iran, (c 1200-1292), The Orchard
Tayeb Salih, Sudan, (b. 1929), Season of Migration to the North
Jose Saramago, Portugal, (b. 1922), Blindness
William Shakespeare, England, (1564-1616), Hamlet; King Lear; Othello
Sophocles, Greece, (496-406 BC), Oedipus the King
Stendhal, France, (1783-1842), The Red and the Black
Laurence Sterne, Ireland, (1713-1768), The Life and Opinions of Tristram Shandy
Italo Svevo, Italy, (1861-1928), Confessions of Zeno
Jonathan Swift, Ireland, (1667-1745), Gulliver's Travels
Leo Tolstoy, Russia, (1828-1910), War and Peace; Anna Karenina; The Death of Ivan Ilyich and Other Stories
Thousand and One Nights, India/Iran/Iraq/Egypt, (700-1500).
Mark Twain, United States, (1835-1910), The Adventures of Huckleberry Finn
Valmiki, India, (c 300 BC), Ramayana
Virgil, Italy, (70-19 BC), The Aeneid
Walt Whitman, United States, (1819-1892), Leaves of Grass
Virginia Woolf, England, (1882-1941), Mrs. Dalloway; To the Lighthouse
Marguerite Yourcenar, France, (1903-1987), Memoirs of Hadrian

source: http://www.guardian.co.uk/world/2002/may/08/books.booksnews

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Quote on Art and Literature

    "There is only one school of literature - that of talent."
~ Vladimir Nabokov (1899 - 1977)



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