The Greatest Literary Works

literary works documentation. essay on literature. student paper. etc

Visit our official blog Great Literary Works dot com

TITANIC: End of a Dream by Wyn Craig Wade

Written by son of rambow on Thursday, June 23, 2011

Skyhorse (A Herman Graf Book) February 2012 * 384 pages/50 b&w illustrations
A CENTENNIAL EDITION OF THE CRITICALLY ACCLAIMED BESTSELLER FIRST PUBLISHED IN 1980

TITANIC: End of a Dream relies on survivors' accounts to establish some startling facts, including that almost two-thirds of the first-class passengers survived while only a quarter of the steerage passengers made it to safety. And that those in the lifeboats chose to ignore the piteous cries of passengers in the water, almost all of whom perished. This chilling account demonstrates that the Titanic's sinking was in many ways entirely avoidable. He begins with Titanic leaving on its maiden voyage from Southampton, full of hope and excitement. He then quickly shifts to the scene of confusion and horror right after the sinking, when few facts were known. In the next chapters the sinking comes to life through an official Inquiry into the disaster, due to the work of a Senator from Michigan and his committee who actually met the rescue ship Carpathia in New York and served many of the notables with subpoenas. The Inquiry was held within a week of the rescue ship arriving in New York. Particularly memorable is the chapter detailing the negligence of the Californian - in reality the closest ship to the point of sinking. Therefore, Wyn’s book is based on source material that was very fresh and thus gives a great read that fills in so many details that would otherwise have been lost to time and embellishment.

Titanic was truly a community afloat, with everything you might find in a small city: a government, social classes, and a sense of forward progress. As Titanic left the dock, she was almost a caricature of herself. The appropriately named ship was symbolic of the dreams and expectations of the men, women and children in 1912 prior to World War I. As they looked ahead at the brave new world they were building, Titanic reflected who they were In TITANIC: End of a Dream detail-oriented journalist Wade translates the human emotions of the Titanic sinking into modern culture. Wyn conveys what Titanic—and, more importantly, the sinking of Titanic—meant to the people of that time. If we cannot understand the impact of Titanic on the world of 1912, how can we possibly understand how Titanic integrates into our culture and thinking today?

Read More......

The Inquisitor's Apprentice: a children’s fantasy by Chris Moriarty

Written by son of rambow on Monday, June 20, 2011



This title will be released on October 2011. The Inquisitor’s Apprentice Book 2, Manuscript available December 2011. & The Inquisitor’s Apprentice Book 3, Manuscript available December 2012


This book is admirably well plotted, really tight and compelling. The pace is brisk, but well detailed too--and characters are nicely developed. Just generally well written.

I am in LOVE with the setting and the premise. The idea of magic-as-replaced-by-machines, of capitalists as the villains behind the end of "old world" magic. It's brilliant. The way all of these historical characters and institutions (Edison, Houdini, the IWW, Morgan Library, etc) are incorporated and "magicalized" is smart, and never feels arbitrary. And the author appears to have done her research! Reading, I really did feel submerged in the building of the subways, the dingy tenements, Coney Island sideshows, etc.

The biggest issue for me, as I read, was this nagging sense that there was an incongruity to the use of Judaism (and maybe other identities too) as the cultural/religious basis for magic. In the book, some rabbis are understood to be Kabbalists, though mysticism is illegal. As are basic conjuring, spells, hexes, etc. This is INTERESTING. Especially as faith/magic are then replaced by the industrial/capitalistic world. Interesting.

And as a Jewish reader, I liked references to dybbuks. I liked that Yiddish was tossed around.

But there's something off, maybe-- because all the while there was still the "real" Jewish world in the background. Hester Street is the same, and people are running around, trying to get to market before Shabbos. Rabbis are davening in storefront shuls. I couldn't put my finger on what exactly bothered me about this duality of Jewish lives, but something did. Some sense that the author never made clear how these two worlds coexisted. The "magic" world isn't, as it is in Harry Potter, a secret. That would have made more sense to me, Instead, the mothers dashing off to market to make Shabbos before sundown KNOW about the magic world. But it isn't incorporated into their faith or practice, and it doesn't seem to make them question their faith.

I know this may seem like nitpicking, and I certainly wouldn't want this idea to keep a kid from reading and loving this book (which they will). But I wondered how the author understood the theology (not the cultural trappings, but the actual beliefs) of an orthodox Jewish world that happens to be full of magic. Jewish mysticism isn't something most Jews practice (and it wasn't on the LES at the turn of the 20th century either). I couldn't help thinking that if the average frum housewife had experience with magic and mysticism, it might have changed her life.

Also, some points of order bugged me. In the opening scene of the book, much is made about the mother needing to get to market in time for Shabbat, but then she's still out wandering around after sundown. Why she's bothered to rush from work to the market, to buy a whole herring, if she doesn't plan to go home and make dinner in time-- I'm not clear on it. I have a hard time believing that her Rabbi Brother-in-law who lives with her wouldn't be upset about this infraction. But this is minor. It just happened to be on page 3, so set off alarms of Judaism as gimmick. Though other lines, like the one about the MC "memorizing" his bar mitzvah Torah portion, also made me wonder.

I'm also a little confused about when exactly the book is set-- can't be earlier than 1913 because Roosevelt has gone to DC, but the "Pentacle" shirtwaist factory is still in business. The author has used an unusual mix of historical figures/institutions (Edison, Houdini, etc) but then a bunch of people have been reimagined (Astor has become "Astral" and the Morgan Library is the "Morgaunt." Triangle is Pentacle, etc.) I understand that this is a "parallel" world, but I'm not sure why things have to be inconsistant this way. I'm not sure what purpose it served.

Now, I've spent way too much time picking the book apart. In truth, it's a wildly fun read, but in attempting the hybrid/historical/religious novel, Moriarty kind of opened herself up for questions.

And as I'm sure she well knows, Jews tend to ask questions!

----
source: http://laurelsnyder.com/?p=1111

visit the official website http://www.inquisitorsapprentice.com

Read More......

Tiya: A Parrot's Journey Home

Written by son of rambow on Wednesday, June 15, 2011

Paperback, 174 pages
Published 2009 by Harper Collins Publishers India ltd., New Delhi

Tiya : A Parrot's Journey Home is this little-known book that I picked up as a last-minute purchase at my favorite bookstore. I am a sucker for Alchemist type of books. Tiya sounded so similar to the Alchemist in its premise. Yet, it was different.

Samarpan or Swami Samarpananda as he is better known is a monk. And Paulo Coelho isn't. Therein lies the difference. While the Alchemist was also a fable much like Tiya is, what differentiates Tiya is the veneration of spirituality that surrounds it. Tiya is deeply metaphysical, its spirituality rooted in language simple yet so complex in its simplicity. Tiya is a parrot, not just another parrot, but one who thinks he is different. Haven't we all? He befriends a beautiful swan, Hans, (an unknown presence )who tells him there is more to him than ever will be, and urges him to seek himself.

“You are much more than what you think you are, and you can achieve much more than you are achieving now.”



Tiya sets off on a journey, a voyage of self-discovery to fantastical lands where he meets various creatures, equally fantastical. Through his interactions with them, Tiya learns to identify his own strengths and weaknesses, disseminate his ego, and understand his self. If only I can take such a journey, and find such beautiful revelations to my self! But the path wasn't easy - many times, Tiya almost came to close to losing his life. Yet he emerges - soul singed but freer for it.

Harper Collins, it appears, has not done much to promote the book. I can scarce find an Internet source credible enough apart from Samarpan' own blog. Looking back now, I wish I had read the book a little slower. Yet, there were certain allegorical descriptions that were a bit too difficult for my simple mind to fathom. There is no doubt that Samarpan has weaved in years of his Vedantic learning into creating this charming book and that effort needs to be lauded. Perhaps my cluttered mind too needs to fly, just like Tiya. Maybe then, I might really believe I am more than what I think I am, which is not much anyway. [source]

Read More......

Lessons on Self-Publishing Success from Amanda Hocking

Written by son of rambow on Thursday, June 09, 2011

Many self-published authors don't fully realize that after their book is completed and published, they have a whole new set of objectives to meet. They aren't trying to write 2,000 words or so a day any more. Instead, they must start work on selling their book!

For many self-publishing authors, marketing their books can be a major stumbling block; others, however, seem to have a knack for it. In fact, there is a small but growing number of authors who are enjoying huge success - greater indeed than most conventionally published authors - from self-publishing.



Take the example of 26-year-old web fiction author Amanda Hocking, who has self-published nine books to date and sells approximately 100,000 copies per month according to Novelr.com. Most of her income comes from e-books sold through the Amazon Kindle store. Under Amazon's terms for Kindle authors, she keeps up to 70% of gross sales, compared with the typical 10% of net earned by most traditionally published authors.

Even more exciting for her is that Terri Tatchell, of District 9 fame, has recently optioned her trilogy for a screenplay.

So how has Hocking accomplished these amazing feats by self-publishing books such as Switched?

Well, if you read Hocking's own blog post The Epic Tale Of How It All Happened, you'll get a good idea of how she became one of the most popular web fiction authors alive. Here are some of the most important lessons from that post and others on her blog.

Select a Publishing Format

One of the keys to Hocking's success was her decision to make her books easily accessible to a lot of people through the Amazon Kindle store. By formatting her novels as e-books, she was able to price them lower than a standard hardback: $2.99, for example, versus $14.95. That, and the ubiquity of the Kindle e-readers, gave interested audiences a quick and easy way to access her writing.

Build Connections with Book Bloggers

The next thing Hocking did that helped sales take off was contact book bloggers. She says that after she contacted bloggers to start reviewing her books, "something surreal started happening. My books were selling. Like, really selling." Her sales jumped dramatically, going from 624 books for $362 in May to 4,285 books for $3,180 in June. She attributes this success to the buzz created by the bloggers.

Find a Trusted Editor

Once she could afford it, Hocking began to pay an editor to help her revise and edit her books. In fact, this is her most important tip for aspiring authors. She writes, "My biggest word of advice to any new/future writers thinking about diving into Kindle: Edit." Hocking admits it wasn't easy to find a good editor, and most of her books have been edited by a number of different people (and, she says, she still finds some mistakes when she looks at them now). Still, she believes it's crucial to ensure your books are as error-free as possible: "Some people won't care that there's errors, its true, but enough of them will. And they paid for it, so they have a right to. So edit more. And then again. Really."

Commit to the Writing Life

This is perhaps the most courageous act an aspiring author can commit. Hocking quit her day job after she had decent sales on the Kindle so that she could write full time. Doing so allowed her to produce even more work and increase those sales. In one month, she claims, she made as much as she made at her job for a year. Of course, this was after the buildup to her success, but still: quitting her job gave her the opportunity to commit fully to the writing life.

If you believe in yourself, then you should try to write as much as possible. It doesn't mean you have to quit your day job immediately, but it does mean that you may have to sacrifice other things (such as your social life!) to achieve the success you dream of in the end.

Write for an Audience

Finally, one crucial thing about Hocking is that she researches what her audience want and then tries to give it to them. If you simply write for yourself, you risk failing to find readers who share your enthusiasm. Sure, it's OK to start out that way, but you should look towards your audience for inspiration as well. It's no coincidence that Hocking started off by publishing on her blog - this gave her invaluable feedback, and helped her focus on providing the sort of reading experience her audience craved.

By-line: Mariana Ashley is a freelance writer who particularly enjoys writing about online colleges. She loves receiving reader feedback, so please do leave any comments or questions for her below.


---------
this article is written by Mariana Ashley. [source]

Read More......

The Count of Monte Cristo: Which Translation Version to Get

Written by son of rambow on Wednesday, June 08, 2011

This review is for those who've already decided they want to read The Count of Monte Cristo (you won't regret it!), and don't know which version to get.

Short answer: see review title, duh!

The Count of Monte Cristo is my favorite book, and I've read several translations, both abridged and unabridged.

TRANSLATION
Robin Buss translation is the most modern, and reads most fluidly. A quick example comparing this translation with the one found on Project Gutenberg:

PG - His wife visited for him, and this was the received thing in the world, where the weighty and multifarious occupations of the magistrate were accepted as an excuse for what was really only calculated pride...

BUSS - His wife visited on his behalf; this was accepted in society, where it was attributed to the amount and gravity of the lawyer's business -- when it was, in reality, deliberate arrogance...

Buss's work reads like the book was written in English. The two or so times that the work is nearly untranslatable, Buss makes a footnote about it (eg, an insinuated insult using the formal "vous" instead of the familiar "tu"). Other translations just skip the subtlety. The most common translation out there (uncredited in my version) reads like a swamp. Trust me, get Buss.

ABRIDGED V UNABRIDGED
Abridged versions of this book rarely say "abridged." You can tell by the size: abridged is 500-700 pages, unabridged is 1200-1400 pages. Go for the unabridged.

The abridged version is VERY confusing! Pruning 1200 pages down to 600 leaves a lot of plot on the cutting room floor. Suddenly, arriving at dinner are 4 new characters; it's very tiring to try to keep up with the hole-ridden story of the abridged versions. And you know where the holes are? Publishers "clean up" the book by omitting the affairs, illegitimate children, homosexuality, hashish trips, etc.

As an added bonus in the Penguin Classics edition, there's a wonderful appendix bursting with footnotes to explain all the 19th century references, and a quick guide to the rise and fall of Napoleon (crucial to the politics in the story).

Hope this helps. Get the book and start reading!

Read More......

10 Classical Romance Novels to Read

Written by son of rambow on Tuesday, May 03, 2011

Sometimes classic novels provide more poignant love stories than bestsellers. Classic romantic novels are those books that we read over and over, those tales of passion and desire (and maybe just a touch of steam) that have stood the test of time as great manuals of what romance really is.


1. War and Peace by Leo Tolstoy.

This massive work of genius, often relegated to the role of a doorstop, encompasses the totality of love. Through the characters search and trails with both God and romantic love, we see many takes on the purpose of life. Anyone looking for a good romantic read will find Natasha’s forays into love, coupled with the depth of the many characters relations the paradigm of romance.


2. Swan in Love (Un Amour de Swan) by Marcel Proust.

Perhaps, the greatest romantic tale of literature hides within Proust’s magnum opus. Swann in Love, a small fragment of his lengthy masterpiece, demonstrates the destruction love ravishes upon us. Swann, a French aristocrat, falls deeply in love with his mistress who holds very little affection for him in return. Unlike the classic fairytale, love mars both his social life and his happiness as his attachment to his mistress increases.


3. Madam Bovary by Gustave Flaubert.

The always classic Madame Bovary brings us another example of love’s destructive power. Here we see a woman ruined by flightiness and dreams of happiness. The very fairy tales we secretly devour destroys a simple woman looking for grandeur beyond her means. At the same time, her husband maintains a simple, obtainable love.

4. The Tale of Genji, Murasaki Shikibu

trans. into English by Royall Tyler) Some literary types tell us that this text is considered the “first novel”, or at least the first “romantic novel” – it was written sometime between 1002 and 1020 CE by a Japanese noblewoman. The text tells the story of Genji the son of a Japanese emperor, who is relegated to citizen status for political reasons and has to work hard to attract women. There is no traditional “plot”, rather the text simply tells stories over time, in succession. We read about Genji’s early loves, his first unsatisfying romantic experiences, even his marriages and divorces. A powerfully romantic and ancient text, The Tale of Genji is also not very popular or well read. Treat yourself to a unique reading experience, and pick of the translation by Royall Tyle.

5. Jane Eyre, Charlotte Bronte

This novel from the mid-19th century is still a classic romantic tale because the story is so powerful, and the characters incredibly vibrant. Featuring many elements of the classic gothic novel (a kind of theme on this list of classic romantic novels) Jane Eyre tells the story of the title character’s life in the form of a simple narrative divided into parts. We see Jane Eyre in her childhood, her education, her first love, separation from love, and reunion. Studied in schools all over the world, there is perhaps no better known example of gothic romance.

6. Pride and Prejudice, Jane Austen

This list would not be complete without including Jane Austen, whose books have stirred our hearts for almost two centuries. This novel follows the romantic adventures of the Bennet sisters, whose relationships grow from flirting and courting to proposal and marriage. This is a “classic romantic novel” by anyone’s definition, and is often considered to be the prolific Jane Austen’s best novel.


7. The Fox by D.H. Lawrence

Set in Berkshire, England during the first world war, this novella by one of the West’s great romantic writers is often overlooked as a wonderful piece of literary romance. The story revolves around two sisters who have taken over a farm – they survive hardship after hardship against all odds. The farm is their entire world and their safe place until a young and attractive soldier walks in and upsets their normal lives. If you’re in the mood for a shorter classic romance, Lawrence’s fascinating novella will satisfy you.


8. The Great Gatsby, by F. Scott Fitzgerald.

This is the quintessential tale of obsessive love and jealousy. It's about Gatsby, who loves Daisy, who is married to someone else, and how Gatsby does everything to win back her love. Sad and romantic!!

9. Othello, by Shakespeare.

This one isn't exactly a book, it's a play. This is by far my favorite Shakespeare play- I think it's ten times better than Romeo and Juliet! It's about Othello, who goes crazy with jealously when his frenemy Iago convinces him that his wife Desdemona is having an affair. Tragic! Romantic! Beautiful!

10. 5. Tristan and Isolde, (various)

A classic myth available in many different novels and books (as well as in Hollywood), this tale handed down to us from Celtic traditions centers on chivalry and meditations on doomed love and romance. There is plenty of action, including plenty of jousting and swordfights, and the unforgettable scene of our hero Tristan’s death at the hands of six knights. Looking for a classic romantic romance set in the Middle Ages? Pick up any of the hundreds of versions of the story of Tristan and Isolde.

Read More......

Books About Osama bin Laden and Al Qaeda

Written by son of rambow on Tuesday, May 03, 2011

THE LONGEST WAR: THE ENDURING CONFLICT BETWEEN AMERICA AND AL-QAEDA (2011). By Peter L. Bergen. This volume by CNN’s national security analyst provides a succinct overview of the war on terror, giving the reader a sharply observed portrait of Bin Laden, whom Mr. Bergen interviewed in 1997. Mr. Bergen argues that Bin Laden over-reached with the 9/11 attacks and that Al Qaeda has a growing list of enemies, including Muslims who don’t share its “ultra-fundamentalist worldview.” The book also provides a harrowing account of Bin Laden’s escape from American forces at Tora Bora in December 2001, after the C.I.A.’s request for more troops was turned down by Gen. Tommy Franks.

OSAMA: THE MAKING OF A TERRORIST (2004). By Jonathan Randal. This book by a former Washington Post correspondent is less a biography of Bin Laden than a history of the contemporary jihadi movement, which Mr. Randal argues was inadvertently strengthened by American hubris, ignorance and missteps in the Middle East and Persian Gulf. Mr. Randal chronicles Bin Laden’s combat experiences as an anti-Soviet jihadi, the role that various surrogate father figures played in his evolution, and his discovery of an “ability to talk to everyday Muslims in a simple language,” despite his family’s wealth.

THE BIN LADENS: AN ARABIAN FAMILY IN THE AMERICAN CENTURY (2008). By Steve Coll. In this family epic, Mr. Coll, a Pulitzer Prize-winning author, creates a psychologically detailed portrait of Bin Laden and his relationships with his father, Muhammad, who made a fortune in Saudi Arabia as the king’s principal builder; and his older brother Salem, a British-educated, music-loving playboy, who used to organize family expeditions to Las Vegas. It also illuminates the important role that Osama Bin Laden’s relatives and their relationship with the royal house of Saud played in shaping his thinking, his ambitions and his technological expertise.

HOLY WAR, INC.: INSIDE THE SECRET WORLD OF OSAMA BIN LADEN (2001). By Peter L. Bergen. In an early study of Al Qaeda, this CNN analyst emphasizes the crucial role that the Afghan-Soviet conflict played in radicalizing many Islamic militants in the 1980s, giving fighters like Bin Laden confidence that they could defeat a superpower and replacing the notion of Arab nationalism with that of a larger Islamist movement. Mr. Bergen argues here that Bin Laden’s anger at the United States has little to do with Western culture — say, movies or drug and alcohol use — but rather stems from American policies in the Middle East, namely “the continued U.S. military presence in Arabia; U.S. support for Israel; its continued bombing of Iraq; and its support for regimes such as Egypt and Saudi Arabia that bin Laden regards as apostates from Islam.”

OSAMA BIN LADEN (2011). By Michael Scheuer. Mr. Scheuer, who once headed the C.I.A.’s Osama bin Laden unit, dissects the puritanical religious views that informed Bin Laden’s thinking. As he did in earlier books, Mr. Scheuer contends that Bin Laden was not an irrational terrorist, but a shrewd strategist and tactician who wanted to lure the United States into a financially draining quagmire in the Middle East.

THE LOOMING TOWER: AL-QAEDA AND THE ROAD TO 9/11 (2006). By Lawrence Wright. Based on more than 500 interviews, this book gives readers a searing view of the events of Sept. 11 and how that tragic day came about. Mr. Wright, a writer for The New Yorker, suggests that the emergence of Al Qaeda “depended on a unique conjunction of personalities” — that is, Bin Laden, whose global vision and compelling leadership would hold together the organization, and his deputy Ayman al-Zawahri, who promoted the apocalyptic idea that only violence could change history. In Mr. Wright’s account, we see how a shy young Osama bin Laden, who loved the American television series “Bonanza,” became a solemn religious adolescent, and how under the Machiavellian tutelage of Mr. Zawahri, he grew increasingly radicalized.

IN THE GRAVEYARD OF EMPIRES: AMERICA’S WAR IN AFGHANISTAN (2009). By Seth G. Jones. This book by a political scientist charts several decades of relations between the United States and Afghanistan, focusing on what went awry after America’s successful routing of the Taliban in late 2001. Mr. Jones blames the invasion of Iraq for diverting resources and attention from the war in Afghanistan, and notes that there was a spillover effect in Pakistan, which offered a haven to many Taliban and Qaeda fighters. Among Mr. Jones’s conclusions is that the United States must “persuade Pakistani military and civilian leaders to conduct a sustained campaign against militants mounting attacks in Afghanistan and the region” and threatening the foundations of “the nuclear-armed Pakistani state.”

GHOST WARS: THE SECRET HISTORY OF THE CIA, AFGHANISTAN, AND BIN LADEN, FROM THE SOVIET INVASION TO SEPTEMBER 10, 2001 (2004). By Steve Coll. Mapping the long, mistake-filled road to 9/11, this book examines the C.I.A.’s covert role during the Soviet occupation of Afghanistan in the 1980s and America’s later neglect of the country during the post-cold war ’90s, when the Taliban and Al Qaeda took advantage of the political vacuum. Mr. Coll chronicles the failures of both the Clinton and Bush administrations to mount a serious attack on Al Qaeda and to implement a coherent counterterrorism strategy.[blog.nytimes.com]

Read More......

Quote on Art and Literature

    "There is only one school of literature - that of talent."
~ Vladimir Nabokov (1899 - 1977)



Want to subscribe?

Subscribe in a reader Or, subscribe via email:
Enter your email here:

Top Blogs Top Arts blogs

Google