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A Mercy by Toni Morrison

Written by eastern writer on Saturday, July 04, 2009

The fate of a slave child abandoned by her mother animates this allusive novel — part Faulknerian puzzle, part dream-song — about orphaned women who form an eccentric household in late-17th-century America. Morrison’s farmers and rum traders, masters and slaves, indentured whites and captive Native Americans live side by side, often in violent conflict, in a lawless, ripe American Eden that is both a haven and a prison — an emerging nation whose identity is rooted equally in Old World superstitions and New World appetites and fears.

Read this book review and First Chapter of a Mercy

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The Poe Shadow: The Poe Mystery That He Did Not Write

Written by eastern writer on Friday, July 03, 2009

"The Poe Shadow" is best understood as a franchise follow-up to a very clever debut novel. In "The Dante Club," Matthew Pearl combined history, mystery and literature into a book that reveled in the grisly intricacies of Dante's "Inferno." He showed off great scholarly erudition and turned some of 19th-century New England's most celebrated three-namers — Henry Wadsworth Longfellow, James Russell Lowell, Dr. Oliver Wendell Holmes — into an elite squad of armchair detectives.

Naturally, Mr. Pearl's second book attempts to replicate this feat. Using Edgar Allan Poe as its literary catnip, the new novel tries to use Poe-related ratiocination as a means of generating Poe fever. Its afterword contains a cogent explanation of Mr. Pearl's deductions, citing specific questions about Poe's last days and ways in which "The Poe Shadow" answers them. Mr. Pearl stops short of only a "Nevermore"-quothing raven in his eagerness to leave a trail of Poe-related breadcrumbs running through this story.

The first and most difficult task for Mr. Pearl is to hook his reader into a Poe obsession. There is reason to justify this. Poe figures in other current fiction. He is alive and well as a West Point cadet in "The Pale Blue Eye" by Louis Bayard, and he remains a seminal influence on virtually any mystery story with a cerebral, talkative detective. Not for nothing is the Edgar, this genre's best-known award, named in Poe's honor.

And the facts surrounding Poe's demise have been subjected to obsessive scrutiny. Poe disappeared from Richmond, Va., on Sept. 26 or 27, 1849, landed in Baltimore five days later, was found there apparently sick and disoriented on Oct. 3 and died on Oct. 7. Even the most famous of all Poe-inspired masters of deduction, Sherlock Holmes (who first appeared in a magazine story in 1887, accompanied by a drawing that gives him Poe's big, brainy forehead) would have been intrigued by the ellipses in Poe's dying days. Was his last utterance "Reynolds," "Herring" or "Lord help my poor soul"? Debate is heated enough to have produced arguments for each of these deathbed possibilities.

"The Poe Shadow" is eager — too eager — to find entree into these matters. So its main character, Quentin Clark, is a Poe admirer with a groupie's ardor. Quentin has nitpicked Poe texts ("If the raven sits at the top of the chamber door, though, what lamplight would be behind him in such a way as to cast a shadow to the floor?"). He has written the great man some letters. And he has conveniently happened to witness Poe's lonely burial. Now he is convinced that Poe left him, Quentin Clark, to do Poe's bidding in the land of the living and save Poe's sullied reputation.

"Your interest strikes me as morbid," Poe's cousin aptly tells him. Quentin's partner in a law firm exclaims, "I thought you were finished with this Poe madness, Quentin!" But Quentin becomes the self-appointed, creepily devout flame keeper ("I was still only serving Poe as I had promised him") whose goals include discovering the true identity of C. Auguste Dupin, the Poe character who appears most notably in "The Murders in the Rue Morgue." That story, which ought to be a necessary companion piece to "The Poe Shadow," has been immensely influential over time but makes ponderous reading today.

Mr. Pearl strives all too successfully to echo the fustiness of that classic prose. He favors a slow pace and painfully quaint locutions. For instance: "What dangerous restlessness had I been dandling!" "Whom did I await with palpitating breast?" "To say sooth, though, my hopes for elucidation were dim."

"The Dante Club" was a period piece too. But it was less bogged down by literary fidelity, perhaps because Dante's "Inferno" yields no conversational tone. It also managed more comfortably to incorporate action into a tale of deduction. This time, often clumsily, Mr. Pearl throws Quentin into the paths of mysterious strangers, has him clobbered a couple of times and even tosses him off a moving train. In a move that would have Poe spinning, he falls back on the old trick of having Quentin wrongly suspected of murder.

"The Poe Shadow," with its convoluted plotting and insistence on giving Poe's death a touch of international intrigue (the book is set in Paris as well as in Baltimore), also uses two dueling Dupins to churn its sense of mystery. One is the lofty Auguste Duponte, who shows off Dupin-like brilliant insights as well as the occasional clunker. The other is the more flamboyant Baron Claude Dupin, who calls himself "the upholder of justice for Edgar A. Poe and the true life model for the personage of C. Auguste Dupin of the Rue Morgue Murders." Both are entertainingly drawn, but Mr. Pearl overworks them to the point of confusion. Happily, he leaves out such real-life Dupin candidates as the lawyer André-Marie-Jean-Jacques Dupin.

In the end, as he touts his revelations about a fire, a poem about Poe's death and a lost letter, Mr. Pearl constructs an intriguing chain of theories. They are dramatized within "The Poe Shadow," but they are not easily extracted. The book's fulsome Poe-worship remains more peculiar than persuasive, to the point where the story's benighted skeptics begin to sound reasonable. "Talking of Poe, Poe, Poe!" one complains. "What is all this about Poe anyway?"

Says another: "I have read some of your friend Poe. It seems it consists chiefly of him saying plain things in a fashion that makes them hard to understand, and commonplace things in a mysterious form which makes them seem oracular." In this sense, "The Poe Shadow" is accurate to a fault.

Detail:

Matthew Pearl
THE POE SHADOW

By Matthew Pearl.

370 pages. Random House. $24.95.
source: NY Times

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History and the Real: Foucault with Lacan

Written by eastern writer on Friday, July 03, 2009

History and the Real: Foucault with Lacan

by Charles Shepherdson

Department of English
University of Missouri at Columbia
Postmodern Culture v.5 n.2 (January, 1995)
pmc@jefferson.village.virginia.edu

The entrance into world by beings is primal history [Urgeschichte] pure and simple. From this primal history a region of problems must be developed which we today are beginning to approach with greater clarity, the region of the mythic.
--Heidegger, The Metaphysical Foundations of Logic ^1^

The Oedipus myth is an attempt to give epic form to the operation of a structure.
--Lacan, Television ^2^


By the madness which interrupts it, a work of art opens a void, a moment of silence, a question without answer, provokes a breach without reconciliation where the world is forced to question itself.
--Foucault, Madness and Civilization ^3^


The historicity proper to philosophy is located and constituted in the transition, the dialogue between hyperbole and finite structure, between that which exceeds the totality and the closed totality, in the difference between history and historicity.
--Derrida, "Cogito and the History of Madness" ^4^

read more http://pmc.iath.virginia.edu/text-only/issue.195/shepherd.195

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Benjamin Franklin, Jonathan Edwards, and the Representation of American Culture

Written by eastern writer on Tuesday, June 30, 2009

This interdisciplinary collection of comparative essays by distinguished historians and literary critics looks at aspects of the thought of Jonathan Edwards and Benjamin Franklin and considers the place of these two men in American culture. Probably the two most examined figures of the colonial period, they have often been the object of comparative studies. These characterizations usually portray them as mutually exclusive ideal types, thus placing them in categories as different and opposed as "traditional" and "modern." In these essays--by such scholars as William Breitenbach, Edwin Gaustad, Elizabeth Dunn, and Ruth Bloch--polemical contrasts disappear and Edwards and Franklin emerge as contrapuntal themes in a larger unity. Benjamin Franklin, Jonathan Edwards, and the Representation of American Culture is a valuable addition to scholarship on American literature and thought.

"This valuable collection of essays is a good place to start in deepening and revising our assessment of Edwards and Franklin."--William and Mary Quarterly

"This is an important collection of original essays."--Church History

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Third World" Feminism?

Written by eastern writer on Monday, June 29, 2009

The term feminism has been defined, analyzed, reviewed, criticized, redefined, de-constructed, revisited or in other words has been pulled and stretched from so many directions for so long that sometimes writing about it feels like dragging a dead horse even beyond the outer limits. This is no way to mean that feminism itself is a dead subject. On the contrary, given the rapidly changing geo-political scenario in this era of Globalization (and/or post-modernism), feminism now functions as more of a foundational basis for many activists, policymakers and academicians than as an epistemological framework only at the theoretical level. Hardly even any mainstream "development" planning is formulated now a days without considering the gender variable, let alone grassroots mobilization or any social activism. But like liberalism, Marxism, environmentalism or many other such "ism"s, feminism has been a controversial one and an intensely debated upon ideology from the very beginning of its introduction and acceptance in the sphere of public knowledge. As can be the case for any such engaging and pervading issue, feminism has been approached from different and sometimes contrasting view points by the proponents of it. In its early days feminism was primarily focused on inclusion of "women". That is, women as a category was brought into attention against the backdrop of absence of formal recognition and awareness. Feminists started voicing the fact that the contribution of women in the Gross National Product (GNP) or their involvement in the informal workforce has been largely ignored and uncounted. The necessity of assessing the opportunity cost of household works done by women, the social value of childbearing and motherhood, the economic value of generating human capital became unavoidable. Impact on women of various national and international policies like discriminatory civil and judicial laws, privatization, structural adjustment etc. along with existing patriarchal social and cultural norms that reinforced the very process of discrimination were formally acknowledged and documented. Feminists came a long way in protesting - and to quite an extent producing practical results for - violence against women both at the private and public spheres.



But that was before. Since the decades of the 90s - i.e. the height of post-modernism - more and more (primarily post-colonial) feminist scholars[1] are arguing to avoid universalist claims about "women" and situate feminism in a specific social, economic, cultural, historical and political context for analysis, especially when discussing the Third World. Third World societies are mostly post-colonial, developing (economically speaking) countries and they are situated at a juncture where legacies of old traditions and influences of Western ways of life create fusion that continually shapes the structure of the societies. Each Third World society is distinct and is shaped by its cultural tradition, religion, social norms as well as the position of the particular nation-state in the world system. As the sovereignty of the nation-states have been compromised under globalization national policies are greatly influenced by international politics, affecting in turn, the citizens within each national territory. One example of such a phenomenon would be how structural adjustment policies adopted by Third World countries - pushed by the World bank and the IMF - have restructured the economic and social conditions and impacted the citizens overall and women in particular. But one has to be cautious here. When considering how structural adjustment or any policy so to speak or any social parameter is affecting women, one has to be careful to distinguish among women from different socio-economic backgrounds even within a country or a region. Just because women from one country are being impacted does not mean that all women in that same country are affected at the same extent if all are affected at all. In Bangladesh, the opportunity to work at the garments industries comes as an alternative survival strategy for working women from the lower economic class (whether that particular strategy is more exploitative or not is another issue), but for middle class women the same thing translates into a lack of supply of domestic help. What rural women face when indicted with Fatwas following dire physical and social repercussions and what urban women face realizing that Islamic rules are being imposed to further strengthen the existing patriarchal structure - are very different experiences. This is not to say that there should not be a term "Third World" when talking about feminism. The factors along which the world has been categorized as First and Third contribute to the differences of experiences that women face in the First and the Third worlds. But appropriate consideration has to be paid to the specificity of the context. Very often Third World women have been presented as the "oppressed" without any attempt of further analysis of the form and extent of the process of oppression. Upholding women's problems in mainstream development planning or policy making conferences, or even at women's summits - where women meant White, middle class, Western women vis a vis uneducated, ignorant, Third World women - has been widely criticized. In other words, positing "women" as an analytical category has been problematized. Women as a group/ social category is not a homogeneous collectivity. Term like "women's problem/s" often hides the fact that women from different class, culture, race and religion face very different challenges and can experience even contrasting outcomes of the same social phenomenon.




At the same time, the feminists themselves have not been spared either. Any researcher is to be subject to the same kind of deconstruction as the research work itself to take into account the particular position or standing of the researcher. Along with this line of argument which states the importance of multi-leveled and detailed attention to the context, also came out the issue of "agency". The term agency implies the existence of a conscious awareness by women of their conditions who are marginalized, oppressed, subverted etc. Meaning, if feminists harbor a thought of "liberating" illiterate, impoverished, suppressed women they are denying or undermining the ability of those who they want to liberate. Coming from outside with whatever amount of knowledge or other resources and having the benevolent idea of "doing good" to the women of a community, is not only patronizing on their part it is also a misconstrued reality to begin with. A Feminist or any researcher or activist so to speak, has to work with the women and not on them. This is particularly important for Action Research. Action Researchers focus on the agency of people and they believe that any pursuit of social change has to be a team effort. It will be a mutually learning process where trained researcher/s and the community women will benefit and learn from each other's experiences. This is very useful in lessening the bias that is inherently associated with any research or knowledge production. How an individual views an ideology or even a trivial issue in daily life reflects not only that individual's preferences and values but also the socio-economic status (i.e indicating a particular environment) of her/his that has constructed and shaped the structure of her/his preferences and values. That is, whichever stand we take regarding any matter we usually come carrying our baggage of who we are and where we belong in the social hierarchal system. The same goes for me as well. I write as a sociologist who does research on women and socio-economic-political issues, who has been formally trained to do research in the First world but who comes from the Third World with a middle class background. Unknowingly or not, my views and my analyses are shaped by my identity as a woman, as an individual (regardless any gender identity), as a housewife, as a student, as a researcher from the Third World and above all as someone - who has been privileged enough to not face the struggles and oppression that women from lower economic class have to endure and has the luxury to think and write about feminism.



At the end of 2003 I did some data collection in couple of villages in Bangladesh. I approached PROSHIKA and hired an enumerator to get me access to the village women who I wanted to interview. As part of my research interest I wanted to interview Fatwa victims. The closest I could get to that was that I was able to interview some of the relatives of two Fatwa victims. In a village, called village X, a couple had recently committed suicide after they were indicted by a village shalish. The woman was guilty of falling for her brother -in-law and leaving her husband who was mentally challenged. Ironically even though the husband and the in-laws accepted the u incident, the village shalish wanted to set a precedence through it. As PROSHIKA was active in that area they pressured the police to enforce legal action against the preachers. As a result the police - failing to arrest the escaped shalish leaders - captured as many male members of the village as they could. I was told that even twelve years boys had to hide not to get arrested. The police wanted to know the whereabouts of the shalish leaders from the villagers which they did not or could not divulge. This whole ordeal went for a month as the media covered this incident and the police was forced further not to just let that go. When I wanted to interview the female relatives I could not go to the village as the frustrated villagers did not allow any outsider and especially any PROSHIKA member enter the village. PROSHIKA has been working in that area for years and does extensive works for women and yet became banned from that village. A meeting was arranged in another village where I could talk to the relatives of the couple. At the interview they told me that the couple committed suicide not because they were publicly beaten (the infamous Dorra) but because they were publicly humiliated when their heads were shaved! They told me that a woman could take a lot but could not sustain such a shame of losing her hair in public. I, sitting with them with my salon cut short hair, had no problem relating to that. Because it was the symbols and meanings carried with the punishment which were heavier than the act of the punishment itself. And even if I think that what could be more precious than life, I am in no position to criticize them from the outside. This is what I learnt from Third World feminism - not to analyze the incident out of its context. And for the same reason, when the grieving relatives (all women) told me that even though they felt that sometimes the punishment following a Fatwa was too harsh for women they still supported the system of Fatwa as it was a functional mean of social control, who was I to judge? Even if those same women had the generosity at heart to accept the adultery committed by a woman and at the same time were anxious that if there was no social control what would their children learn, who was I to think I was more enlightened than they were? When I was very clearly told by village women that what women did in Dhaka or on TV was not acceptable to them, who was I to censure? I can only share my views with them, I cannot impose on them. I can understand their positions in their context, I cannot label them "oppressed" waiting to be rescued. I can present alternatives, I cannot force them. I am an example of privilege. I am what any of them could be given my background. And their views could be any of mine, given I lived in their environment. If any kind of social change has to be made we have to work both at the macro and the micro level. Feminism can not be addressed separately from politics or isolated from other interconnected factors like culture and religion. Some of my interviewees were extremely independent. They not only earned money and functioned as the heads of the households - they broke their problematic marriages, they sent their daughters to schools, they entered institutional politics and got elected for twenty years at a stretch, they manipulated social customs, they traveled alone at night and yet they covered their heads. Where do I draw the line of "feminism"?



[1] For reference see Chandra Talpade Mohanty, Uma Narayan, Sandra Harding, Leila Ahmed, Marnia Lazreg etc.

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Snigdha Ali does research in the field of Developmental Sociology. She writes from Atlanta, USA.

source: http://www.mukto-mona.com

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Quote on Art and Literature

    “Til the infallibility of human judgements shall have been proved to me, I shall demand the abolition of the penalty of death.”
Marquis De Sade quotes (French nobleman and Novelist whose perverse sexual preferences and erotic writings gave rise to the term sadism. 1740-1814)



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